Writing elements of a romance are the same as writing the elements of any other genre. The writer has to have good pacing, descriptions must be spot on, showing versus telling should be clear and present, and the reader should be engaged throughout or you'll lose them along the way. Romance is no different, except for the added spice. Perhaps there are more expectations from those who read romance and the level of intimacy expected in a romance novel. Some readers don't like a lot, but reading some of the bestselling books in today's markets, I'd have to say the majority like a lot of descriptive scenes. Hot and heavy. I like to think I'm somewhere in between. I can't bring myself to be extremely detailed in those scenes. I like to leave something to the reader's imagination, but I'm thinking I might leave a little too much, maybe. I wish my readers would give me a little more feedback sometimes. I don't get a lot of reviews, and those that leave 1 and 2 star ratings don't tell me why. I'm digressing. Let's get to these elements.
First Meeting
Sometimes sparks fly during the first meeting, an immediate attraction, so to speak. Other times, it might be a small feeling. In The Gangster's Daughter, it's an attraction, but she's knows she can't act on it. Whatever the case, the attraction needs to be clear, whether big or small. It's up to the writer to make sure the reader knows where the characters stand in the meeting, depending on the point of view. The last thing you want is a confused reader. Is there an attraction or not? If you're writing an enemies to lovers trope, there should still be at least a little bit of attraction there. There is one thing for certain that will squash any believability of your plot. Love at first sight. That is so incredibly unbelievable it's not even funny. Of course, that's my opinion.
The Almost Kiss: Something interrupts
This is the tough one for me to write because I always get so caught up in the moment that I find it hard to stop, but stop you must. As heartbreaking as it is to rip them apart, it has to be done. I didn't do this in The Gangster's Daughter, but I had good reason. It didn't flow with my trope to do so right away. I had to wait for it a bit. Not necessarily an interruption, but a disruption. Without giving anything away if you haven't read it, I had to make it hurt. And hurt, it did. Damn near ripped out my own heart. If I had to go back and write it again, I would write it the same. Exact. Way. I'm a romance writer for a reason.
An Uninterrupted Kiss and Deepening Desire
Ah, yes . . . it's finally happening, and the reader gets sucked into all the feels. Heart is pumping; Skin is sizzling; Limbs are trembling and your heroine is falling so fast that she doesn't know if she can stop it. BUT, this is not the end all of end all. While the romance might have finally taken the leap into their feelings for each other without really saying it, but something is still in the way. They'll have to face it, but for now, they can just live in the moment. It all has to be on point and believable. I try to throw in twists that are believable, but no one can see coming. That way, it keeps the reader coming back for more, but boredom isn't setting in with having already seen it before. It's a fine line with so many books being written these days.
Grand Gesture and Big Last Kiss
The main character and love interest have made it through the last obstacle. Love is declared and they can live happily ever after. If you don't, you are going to have one furious reader. If your characters aren't living happily ever after with each other, you'd better have a dang good explanation for it. The last thing you want is a reader angry enough to never pick up another one of your books. So make it good, regardless of which path you go. The ending is probably the hardest. Some authors will write this part first, but I have to write in order and let my characters 'talk' to me to find out how they'll handle the ending. With five books under my belt now, I think I've done a pretty good job with my endings and how my characters wrap it up.
These are the big elements that I navigate through, although there are a lot more elements in a. There are dozens along the way to make the journey, for the characters make sense to the reader. Not all of them actually need to make it onto the page. It just depends on the story and the characters. But it all needs to make sense and write it in a way that makes it clear to the reader.
Happy Reading!
Jodie Leigh Murray